The Adventure Of Photography Art To Nft

Authors

DOI:

https://doi.org/10.53463/splandes.202300223

Keywords:

Photography, Consumer Culture, New Media, NFT (non-fungible tokens)

Abstract

This study discusses the process of photography from traditional to digital media and NFT.

New media has brought a great change to humanity's understanding of information and content production, compared to traditional media. Now, every information and content produced can be watched by the whole world within seconds. The great impact of developing technology on art production and consumption can also be observed. This situation has brought new art production and consumption strategies to the agenda and brought a different perspective to art products. The visibility of art has increased significantly, and the idea of production, reproduction and sales has been updated. With new media art, the concept of uniqueness of the work of art, which exists in the traditional understanding of art, has been adapted and transformed into the digital environment. The art of photography is at the center of all this change, as a part of social life, and has reached its current structure, evolved with new media.

Galleries have been moved to the digital environment with new media. This has created digital markets in the field of photography and made it possible for sales to be made on the internet. Blockchain technology, which emerged with new media, has changed humanity's perspective on trade with sales made with virtual money by offering an open and unintermediary digital system to the society. As the virtual market of art, NFT has enabled the products to meet collectors by protecting the copyrights and ensuring the uniqueness of photography, just like other art fields.

The scope of the article consists of the impact of social media on the change of society's perception of art, the effects of the new consumption culture created by new media on the art of photography, and the relationship between NFT (Non-fungible tokens) and the field of photography.

Downloads

Download data is not yet available.

References

Altıok F. (2001). Fotoğraf Sanatının Grafik Sanatındaki Üretime Etkisi- Lisans Tezi Isparta: Süleyman Demirel Üniversitesi.

Aydın, N. (2018). Nitel Araştırma Yöntemleri: Etnoloji, Uluslararası Beşeri ve Sosyal Bilimler İnceleme Dergisi, Volume: 2 Issue: 2 dergipark.org.tr/en/pub/ihssr/issue/36852/425401

Aydoğan, F. ve Kırık, A.M. (2012).Alternatif Medya Olarak Yeni Medya. Akdeniz Üniversitesi İletişim Fakültesi Dergisi, 58-69 Atif.Sobiad.Com/Index.Jsp?Modul=Makale Goruntule&Id=Aw0h5zj2yzgeuuwfspoj

Bajac, Q. (2011). Fotoğraftan Sonra Analog Fotoğraftan Dijital Devrime. İstanbul: Yapı Kredi Yayınları.

Başlar, G. (2013). Akademik Bilim 2013 – XV. Akademik Bilim Konferansı Bildirileri 23-25 Ocak 2013 – Akdeniz Üniversitesi, Antalya

Dursun, N. (2021), Nft / Kripto Sanat ve Hareketli Grafik İlişkisi, Journal Of Social Humanities And Administrative Sciences, Yıl-Sayı: 2021-40

Freund, G. (2007). Fotoğraf ve Toplum. (Çev. Ş. Demirkol). İstanbul: Sel Yayıncılık.

Kılıç, L. (2002). Fotoğrafa Başlarken. Ankara: Dost Kitabevi Yayınları

Kıvrak, M.N. ve Özkartal, M. (2022), Nft ve Günümüz Dijital Sanat Kavramı Arasındaki İlişki, Oğuzhan Sosyal Bilimler Dergisi, Cilt: 4, 193-202.

Kum, Ö. 2022, Çoklu Ortam Teknoloji̇si̇ İle Nft Tasarımının Görsel Tasarim UnsurlarıAçısından İncelenmesi̇ Doi: 10.46291/Zfwt/140215 Zfwt Vol 14, No.2 (2022) 273‐290

Modiano, A. (2007). Fotoğraf Tarihine Giriş. ( Çev.D. Koç, H. Aşuroğlu). Antalya: Art Studio Yayıncılık.

Nakamoto, S. Bitcoin: A Peer-to-Peer Electronic Cash System. Web: bitcoin.org/bitcoin.pdf Erişim Tarihi: 26 Temmuz 2022

Saygın, E. P., ve Fındıklı, S. (2021) Tuvalden Tuşa: Sanat Pazarındaki Dijital Dönüşümde Nft’lerin Rolü Bmij (2021) 9 (4): 1452-1466, Doi:Doi.Org/10.15295/Bmij.V9i4.1930

Sontag, S. (1993). Fotoğraf Üzerine. (Çev. R. Akçakaya). İstanbul: Altıkırkbeş Yayınları.

Şahin, M. & Şahin, G. (2016). Geleneksel Medyanın Yeni Rakibi: Yeni Medya Ve Canlı Yayınlar. Yeni Medya, (1), 50-63. Retrieved From Dergipark.Org.Tr/Tr/Pub/Yenimedya/Issue/55557/760554

Şenkardeş, Ç. G. (2021).Blokzincir Teknolojisi Ve Nft’ler: Müzik Endüstrisi Üzerine Bir İnceleme, Journal of Management, Marketing and Logistics -JMML (2021), 8(3), 154-163

Tobin, J. 2021 Photographer Sells Her Most Stolen Image As Nft Art And Releases The Usage Rights Www.Rangefinderonline.Com/News-Features/İndustry-News/Photographer-Sells-Her-Most-Stolen-İmage-As-Nft-Art-And-Releases-The-Usage-Rights/ Erişim Tarihi : 22.11. 2022

Turan, Z. (2018), Kripto Paralar, Bitcoin, Blockchain, Petro Gold, Dijital Para ve Kullanım Alanları, Ömer

Halisdemir Üniversitesi İktisadi ve İdari Bilimler Fakültesi Dergisi Yıl: Temmuz 2018 Cilt-Sayı: 11(3) s:1-5

Published

29-12-2023

How to Cite

Kızıldemir, D., & Atılkan, M. (2023). The Adventure Of Photography Art To Nft. Journal of Spatial Planning and Design, 3(1), 36–53. https://doi.org/10.53463/splandes.202300223